I just killed someone. For the first time ever. And it was horrifying. At least I hope it was. 

​Oh, did I forget to include a little detail? I didn't do it for real. I did it in the novel that I'm currently writing, Brooms, book 2 in the Uncanny Icons Serie. However, the deeper I delve into this manuscript (nearly 43,000 words and counting so far), the more real this fictional world and the characters (and creatures) that inhabit it are beginning to feel. 

In fact, when I broke for lunch after writing that scene today, I actually had to take a bit of time away from the manuscript just to process what had happened, seeing as I had no idea when I started writing that sequence this morning that that's how things would end up. 

Now that the story has taken this turn, I'm super excited to find out where things will go from here, but I'm also a little bit frightened. If I didn't see this death coming, who knows who might be next?

The other day I wrote a post about how the often unusual type of research required to write a novel. On that day I was focused on lake monsters and such. Today it's been all about the occultic properties of different types of rocks and metals, a surprisingly interesting history of the evolution of curling rocks, pages that explain how to work with granite and attach things to it, and this page from Lee Valley (you'll have to read the book to find out how this item factors into Brooms). Plus, I also stumbled across the following painting that depicts people curling in 1635, which is close to when my story begins.

No matter what I'm writing, whether fiction or non-fiction, it always requires a lot of research. Some of this research I do beforehand, but other research happens on the fly as I'm trying to figure out how to crack a scene or if I need some key facts to make a character sound like an expert on a particular subject. Right now I'm in the midst of the first draft of Brooms, book 2 in the Uncanny Icons Series. As I've mentioned before, the book ties together witches, lake monsters, and curling. It also takes place on Deep Bay, which is at the south end of Reindeer Lake, Saskatchewan.

The scene I'm writing currently takes place in a school library, where the resident cryptozoologist is trying to make a case for why people who categorically reject the existence of lake monsters are wrong. Hence, right now some of the browser tabs I have open include a link to spurious correlations, a Skeptical Inquirer article on lake monster lookalikes, a satellite map of Reindeer Lake, and the official Loch Ness Monster Sightings Register.  Yesterday, my tabs included a description of the book Peter Puck: Love That Hockey Game, a map that shows the mythical monsters that haunt the US, and an image search for aquatic dinosaurs.

This is one of the funnest aspects of writing. I never know where the story is going to take me next. It also makes me tremendously thankful for the Internet because virtually anything I need to know is at my fingertips. 

And for you budding writers out there, I can't tell you how many times research has spurred a story idea or helped me solve a problem that I've been stuck on. Case in point: Brooms also involves the five elements, both western (earth, water, fire, air, spirit) and eastern versions (water, wood, fire, earth, metal). The most difficult element to incorporate into this story has been fire. However, while researching the type of wood typically used to create the handle for a witch's broom (it's ash, by the way), I happened to stumble across an article that noted that ash trees are among the most likely trees to be struck by lightning (due to their high water content). Bingo! Suddenly, I had a way to incorporate a version of fire (electricity) into my story in a way that's 100% logical (something I always try to do). Keep an eye out for how that enters the story close to the book's climax!

I'm probably more attuned to this sort of thing than normal seeing as I'm currently writing a novel about a lake monster (book 2 in the Uncanny Icons Series, but it seems like suddenly this subject is showing up way more than normal. First there was a couple who posted new footage that supposedly shows the Loch Ness Monster--or at least a wake created by a large creature in the loch. Then I just read this morning about a new TV series called The Essex Serpent, based on the 2018 novel of the same name by Sarah Perry, which is about a "water horse." 

I just blocked off the next few weeks to complete my first draft of Brooms, book 2 in the Uncanny Icons Series. Seeing as it involves witchcraft, I've done all sorts of research on this subject as well as so-called "sacred geometry." In the process, I came across the painting below, "The Magic Circle" by John William Waterhouse (1886). The novel's opening scene involves just such a circle, though it's created for entirely different reasons . . .

These days I've been so busy editing other people's books that it's been difficult to find time to work on my own projects. So, like other authors I know who are in a similar situation, I took a look at my schedule in search of pockets of time that I could reclaim for my writing, and my thoughts led me to this place.

We are lucky enough to live in Kimberley, BC, a nice little town on the edge of the Rocky Mountains that just happens to have a ski hill right in town. Every Saturday and Sunday morning, I ski from about 9:00 - 11:00 (before the lineups get too long). During that time, I ski somewhere between 6-8 runs, which means I spend nearly half of that time on the chair lift. Seeing as I've mostly been riding alone due to COVID-19, I realized that gave me basically two hours each weekend to work on my books. 

So, that's exactly what I've been doing for the past couple of months. Each day I set a different task for myself to accomplish, and then I record my thoughts on my phone as I sit there taking in the beautiful mountain views.

As a result, not only have I been able to work out virtually all of the story kinks for Brooms, book 2 in the Uncanny Icons Series, I've also done the same for LARPers, book 7 in the Milligan Creek Series.

All that to say, many people dream of writing a book, but most of those people never do it because they say they can't find the time. However, if you're serious about it, you will find a way, and it may be in a place that you least expect!

What do these three things have in common? They're all part of book two in the Uncanny Icons series, Brooms, which I'm currently writing right now. As I was doing research for the book, I stumbled across a book that I read countless times when I was in elementary school, Canada's Monsters by Betty Sanders Garner. As a budding cryptozoologist, I read everything I could get my hands on regarding lake monsters, sea monsters, sasquatches, yetis, and the like. Who would have guessed that, decades later, all of that research would bear fruit? At any rate, I was so excited to find a copy of the online that I had to order it, just for old time's sake. In the meantime, here's an image of the cover, featuring a painting by James Simpkins, which should make it apparent why this book so captured my imagination.  

Believe it or not, Pumpkins is best read while wearing a pumpkin. The book is available here. As for the pumpkin, you'll have to bring your own.

I thought this would be a fun way to promote Pumpkins. I'll be posting a pic a day until Halloween! If you're in Canada, you can buy it here. If you're in the US, get it here.

It's been a LONG summer dominated by a seemingly endless stream of editing projects. Unfortunately, that meant I had to put Quiet On Set!, book 6 in the Milligan Creek Series, on hold since mid-June. It's the longest I've gone without writing for years. It's my fault for booking myself so heavily, but I've finally managed to eke out 20 days of writing time, during which I plan to finish the novel, with hopes of releasing it by early November, just in time for Christmas. I'll keep you updated here. I've already managed to complete just over 30,000 words, and with a target word count of about 50,000 words, it seems like a short bridge to cross. But these are the hardest 20,000 words, seeing as I now have to pay off everything I've set up--and there are a LOT of plages spinning in this story--but I'm excited to finally return to the boys and their shenanigans. 

Meanwhile, over the sumer I've done a lot of thinking about Brooms and Teeth, books 2 and 3 in the Uncanny Icons Series, so as soon as I complete Quiet on Set!, I'll be back into another spooky supernatural tale. 

For the record, I have one more book planned for the Milligan Creek Series, putting the total number of books at 7. I also have another idea for a book that will act as a postscript to the series, taking place many years later once Matt, Chad, Andrew, and Dean are all grown up, with most of them returning to Milligan Creek after a lengthy absence to pull off one last caper. If I happen to come up with an idea for another book prior to this time jump, I will gladly get moving on that. I never want to say goodbye to this world, but I also want to make sure every idea merits a stand-alone story.

At any rate, I'm already procrastinating! Time to get to it.