Just to give you an idea of what my poor, long-suffering artist has to work with
You've no doubt heard about "back of the envelope ideas." Well, that's exactly how the cover concept for The Water War came about. This past August, I was in an airport somewhere in the American Midwest in production on my latest documentary when I decided it was time to get Kierston going on the cover. So, as my son and I were eating lunch, I quickly sketched up the following.
I sent it off to Kierston, along with a brief description of the scene, and she was off to the races. Her ability to interpret such horrid drawings is just one of the many reasons I enjoy working with her so much.
To see more of her work, check out her website. To see the finished version of the cover, visit my store--and pre-order a copy!
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Brief thoughts and updates on writing, publishing, and life